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Significa #15
ANSWERS
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This question was submitted by Chris Earnest. He is solely responsible for the math as I am impaired in this area. It is an interesting question though.
- Start with a compensating F/Bb double. Make a single Bb horn out of it by
removing all tubing (and parts of valve rotors) used only by the F side. Make
a horn out of the removed tubing. What key is it in?
Answer: double high F (an octave higher than the F half of a Bb/F descant).
To see this, use x as the length of the removed tubing; then Bb + x = F, or x
= F - Bb = F - 3/4 F = 1/4 F).
- Another way to ask essentially the same question: How long are the short
valve slides of a compensating double, relative to the longer ones?
Answer:
1/3 the length. (Actually, slightly shorter: 1/3 the length minus 2/3 the
length of a trip through one side of the rotor. If anybody figures that out,
they can have extra credit!).
Burt Hardin
Cabbage
- Have you ever wondered what the inscription "Gebr. Alexander" on the bell
of an Alexander instrument means? Now is your chance to find out. What does
"Gebr. Alexander" mean?
Brothers Alexander
(Alexander Brothers)
Sharon Zurflieh
Burt Hardin
Karl Schreiber
Tom Witte
Brent Pennington
Kjellrun Hestekin
Margaret Truzkowski
Steph Scherbart
Richard Berthelsdorf
David Crane
Jason Dunn
Sean Kirkpatrick
Deborah Hunsberger
Joanne Filkins
- What is the name of the hornist who used and endorsed a horn mouthpiece
with an extremely wide and cushioned rim?
Neil Sanders
Jason Dunn
Burt Hardin
Tom Witte
Charlie Turner
David Crane
Sean Kirkpatrick
Heather Pettit
Joanne Filkins
- Famous Quote:
What musical (concerto) composition was Dennis Brain referring to when he
said:
"Amongst it's virtues is it's brevity..."
Mozart Concerto #1 in D
No Winners.
- What is the name of the hornist (Vienna) who composed "St. Hubert's
Mass"( St. Hubertus, Patron Saint of the Hunt) (Mass, in this case, is Massed
Horns) (Hornlisters-kill for a copy of this recording)
Karl Stiegler
Karl Schrieber-From Vienna!
Tom Witte
David Crane
Joanne Filkins
AM Lorraine Fader
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Here are some often used "pat" answers consistently given by well-known players. See if you can match the cliche with the player. Questions and answers and paraphrased for brevity, but their meaning is unmistakable. The same player's name may be appropriate for more than one saying and may be none of them at all. One of the cliche's two players from the list used to boast. Match the Players with the Cliche's.
Players: Burt Hardin, Phil Farkas, Dennis Brain, Alan Civil, John Barrows
Cliches:
- I used to warm up when I was younger, now I find that I am already warm.
John Barrows, Civil would also have been a score.
Burt Hardin
Tom Witte
David Crane
Sean Kirkpatrick
Russ Henning
- I warmed up when I was in the military, I don't need to anymore.
Alan Civil
Burt Hardin
- Who was my teacher? My teacher was the public schools music department.
Phil Farkas
Jason Dunn
Burt Hardin
David Crane
Sean Kirkpatrick
AM Lorraine Fader
- I don't practice now because I practiced years ago, when I was in the
military.
Alan Civil
David Crane
Russ Henning
Jason Dunn
AM Lorraine Fader
- Background: Years ago, the late sixties or so, Northwestern University did the following experiment: A "horn" (straight, like a Herald Trumpet) was submerged in a specially made water tank with only the mouthpiece and bell exposed at either end: The "horn" was then played with the tank empty and then full of water. What was the difference, if any, in the production of the note?
Aside: This experiment and the initial conclusions gathered almost single-handedly finished the Veneklasen Horn Project. The V2 horn was specifically designed to comply with the official scientific conclusion that was immediately published for this study. Unfortunately, we believed it and the initial conclusions were....eh....wrong as to the reason. By the time it was discovered that the scientific theory we were pursuing was false, all research money had been expended. For the purposes of this quiz, I do not
ask why, that is for Robert Pyle, Chris Earnest and others to ponder, all I
ask is WHAT happened (if anything) to the production of the note? One or two
sentences please. HINT: I am not necessarily asking about the pitch or
tone, just the differences. One-hundred words or less please.
No Winners
To quote someone (John Barrows) exactly. "When suspended without water the F harmonic series was beautiful...", when the instrument was submerged you would "bust your buns" to just blow through it.
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