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hornplayer.net Information archive
Bass clef notation
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I am playing a piece with my city-wide orchestra, that has a few bars of
bass clef. This is not uncommon, I know, and sense, I play piano, reading
bass clef is not a problem for me.
The note I have, is an A. The bass clef sign is given, and my note is the
bottom space A. Now, here's my question. Is this bottom space A in bass
clef the same as the two ledger lines down in treble clef? That is how I'm
playing it, but I don't understand why this is. It would seem to me that
the two ledger line A in treble, would be the top line A in bass.
Please help me understand why this is written as it is.
Chris Wingert
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Answer:
It all depands....
The use of "old notation" (e.g. written down an octave), and "new notation"
(written as played) have been used concurrently by composers since the
1700's.
There are instances in music of the classisists where BOTH methods occur,
so there is not a defined time line that indicates that pieces before a
certain date would use old notation and works after a certain date use new
notation.
Even 20thC composers (even those active today) are not universal in the
type of bass clef notation. Thus, there are a few ways you might be able
to hazard a guess:
The first rule of thumb is that if the bass clef part has any ledger lines
below the staff, especially below E, it probably is in old notation.
However, don't be fooled as the low E in the Shostakovitch 5th Symphony is
the real thing!
So, the best thing you can do is to look at the score to see the voicing of
the orchestration. This might give you a clue, especially if there are
horns in octaves written in bass clef. If this is common piece of music,
get a recording and listen to it with your part and score.
If this is a band work, it "probably" is written in new notation. I'm not
trying to side step the issue, but this is a problem we as hornists must
deal with.
Any other colleagues out there want to try to help me on this one, please
feel free to join in!
Eldon Matlick
P.S. For familiarity with old notation performance, I recommend the following:
- des Pres: 20 Studies for Low Horn (Billaudot)
- Blazhevitch: 70 Studies for Tuba (King-Leduc)
- Neuling: 30 Special Etudes for Low Horn (2 bks) (Edition Pro Musica)
For special work: transpose them to concert key--OUCH!
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